project:opera_tinder

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project:opera_tinder [2019/09/06 15:49] – created beat_estermannproject:opera_tinder [2019/09/06 21:09] – [Documentation] beat_estermann
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 (screenshots or sketches up here) (screenshots or sketches up here)
  
-**Opera Tinder** is an online collaboration platform and social networking site to collectively explore large amounts of opera recordings, allowing users to tag audio sequences with various types of semantics, such as personal preference, emotional reaction, specific musical features, technical issues, etc.+**Opera Tinder** is an online collaboration platform and social networking site to collectively explore large amounts of opera recordings. It allows users to tag audio sequences with various types of semantics, such as personal preference, emotional reaction, specific musical features, technical issues, etc.
  
-Through the analysis of personal preference and/or emotional reaction to specific audio sequences, a characterization of personal listening tastes is made and people with similar (or very dissimilar) tastes are matched up (social networking aspect).+Through the analysis of personal preference and/or emotional reaction to specific audio sequences, a characterization of personal listening tastes is made, and people with similar (or very dissimilar) tastes can be matched up.
  
-Furthermore, based on preference information or keyword search, recommendation systems can be implemented.+The platform also contains a recommendation system based on preference information or keyword search.
  
 **Background:** The Bern University of the Arts has inherited a large collection of about 15'000 hours of bootleg live opera recordings. Most of these recordings are unique, and many individual recordings rather long (up to 3-4 hours), hence the idea of segmenting the recordings so as to allow for  the creation of semantical links between segments to enhance the possibilities of collectively exploring the collection.  **Background:** The Bern University of the Arts has inherited a large collection of about 15'000 hours of bootleg live opera recordings. Most of these recordings are unique, and many individual recordings rather long (up to 3-4 hours), hence the idea of segmenting the recordings so as to allow for  the creation of semantical links between segments to enhance the possibilities of collectively exploring the collection. 
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 ===== Data ===== ===== Data =====
  
-  * Metadata: [[https://old.datahub.io/dataset/ehrenreich-collection-database Ehrenreich Collection Database]]+  * Metadata: [[https://old.datahub.io/dataset/ehrenreich-collection-database|Ehrenreich Collection Database]]
   * Audio Files: Digitized audio recordings from the Ehrenreich Collection (currently not available online; many of them presenting copyright issues)   * Audio Files: Digitized audio recordings from the Ehrenreich Collection (currently not available online; many of them presenting copyright issues)
  
 ==== Documentation ==== ==== Documentation ====
  
 +[[https://docs.google.com/document/d/1C1plxqo_lOGWNXj5uEcAydmx_ZePvUio-UY5XOKvBlE/edit|Google Doc with Notes]]
  
 ===== Team ===== ===== Team =====
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   * Dominik Sievi ([[user:dsievi]])   * Dominik Sievi ([[user:dsievi]])
   * Beat Estermann ([[user:beat_estermann]])   * Beat Estermann ([[user:beat_estermann]])
-  * Pia+  * Pia Viviani ([[user:pia]])
   * Thomas Weibel ([[user:weibelth]])   * Thomas Weibel ([[user:weibelth]])
   * Cédric Sievi   * Cédric Sievi
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-{{tag>status:concept needs:dev needs:design topic:glam}}+{{tag>status:concept needs:dev needs:design glam}}