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===== Opera Forever ===== | ===== Opera Forever ===== | ||
- | (screenshots or sketches up here) | + | **Opera Forever** is an online collaboration platform and social networking site to collectively explore large amounts of opera recordings. |
- | **Opera Tinder** is an online collaboration | + | The platform allows users to tag audio sequences with various types of semantics, such as personal preference, emotional reaction, specific musical features, technical issues, etc. Through the analysis of personal preference and/or emotional reaction to specific audio sequences, a characterization of personal listening tastes will be possible, and people with similar (or very dissimilar) tastes can be matched. The platform will also contain a recommendation system based on preference information and/or keyword search. |
- | Through the analysis | + | **Background: |
- | The platform also contains | + | **Core Idea:** Users engaging in " |
- | **Background: | + | ==== Demo Video ==== |
+ | {{vimeo> | ||
- | **Core Idea:** Users engaging in " | ||
==== Proof of Concept ==== | ==== Proof of Concept ==== | ||
+ | [[https:// | ||
+ | |||
+ | A first proof of concept was developed at the Swiss Open Cultural Data Hackathon 2019 in Sion and contains the following features: | ||
+ | * The user can browse through and listen to the recordings of different performances of the same opera. | ||
+ | * The individual recordings are segmented into their different parts. | ||
+ | * By using simple swiping gestures, the user can navigate between the individual segments of the same recording (swiping left or right) or between different recordings (swiping up or down) - //the swiping is not yet implemented, | ||
+ | * For each segment, the user can indicate to what extent they like that particular segment (1 to 5 stars). - //not implemented yet // | ||
+ | * Based on this information, | ||
+ | * Also, it will be possible to cluster users according to their musical taste, which opens up the possibility to match users based on their musical taste or to build recommendation systems. //not implemented yet// | ||
+ | |||
+ | A second proof of concept was developed in the context of the Master Thesis " | ||
+ | * selecting audio recordings from the Ehrenreich Collection | ||
+ | * editing meta information about recordings/ | ||
+ | * manual segmentation of audio files (adding, editing) | ||
+ | * visual editing of audio sequence (" | ||
+ | * semantic linking to external ressources as e.g. Wikidata | ||
+ | [[https:// | ||
- | A first proof of concept shall have the following features: | ||
- | * ... | ||
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* Metadata: [[https:// | * Metadata: [[https:// | ||
* Audio Files: Digitized audio recordings from the Ehrenreich Collection (currently not available online; many of them presenting copyright issues) | * Audio Files: Digitized audio recordings from the Ehrenreich Collection (currently not available online; many of them presenting copyright issues) | ||
+ | * Photographs of artists: Taken from a variety of websites; most of them presenting copyright issues. | ||
==== Documentation ==== | ==== Documentation ==== | ||
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* Beat Estermann ([[user: | * Beat Estermann ([[user: | ||
* Pia Viviani ([[user: | * Pia Viviani ([[user: | ||
- | * Thomas Weibel | + | * Oleg Lavrovsky |
- | * Cédric Sievi | + | |
* Kenny Floria ([[user: | * Kenny Floria ([[user: | ||
+ | Contact: beat.estermann@bfh.ch | ||
| | ||
{{tag> | {{tag> |